May14
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- Jezzalie Gill (Drawing 1)
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Our BFA in Communication Design seeks as its primary objective (aside from teaching the basic principles of design, image making, color theory and typography) to help students learn to be effective conceptual thinkers and, most importantly, creative problem solvers in the disciplines of advertising and of graphic design. Ours is not a program designed for the student who is merely interested in learning the most advanced technology.
The MA and MFA in Design programs exist to teach students from design and a diverse array of other disciplinary backgrounds how to utilize design-driven knowledge and skills within select theoretical frameworks to identify and solve complex social, technological, economic, and environmental issues. The 36 credit-hour Master of Arts in Design (MA-Des-IS) and the 60 credit-hour Master of Fine Arts in Design (MFA-Des-IS) are both taught as concentrations in Innovation Studies. The curriculums of both programs have been designed to place students in interdisciplinary teams so they can master core theoretical and problem-solving competencies rooted in collaborative innovation, including: imaginative and adaptive thinking, visual argumentation supported by select types of reasoning, iterative prototyping, project based workflow development and fostering ethically rooted empathy for others.
The communication design area is housed in the Art Building, which include studio classrooms, a dedicated computer lab/classroom, a general access computer lab, and faculty offices. Additionally, the communication design area maintains a valuable resource room (Art Building, Room 239) for its majors. This resource room consists of over a thousand reference books, magazines and paper/print samples of photography, illustration, typography, graphic design, and advertising
Our undergraduate curriculum is a three-and-a-half year sequence of coursework. One must submit a portfolio in the Entry Portfolio Review (occurring each December) in order to gain admittance to this competitive and demanding program. The sophomore year introduces basic skill sets for communication design such as typography, color rendering, design thinking, and creative methodologies for problem solving. At the end of the sophomore sequence, each student must participate in the Mid-Point Portfolio Review. This review is used to select those students who have demonstrated an appropriate degree of proficiency necessary to continue in the program. The junior year offers a variety classes featuring different design experiences in graphic design, art direction, package design, publication design and web design. At this point in the curriculum, students are required to make a career choice of either graphic design or art direction. The senior year is an intense set of classes dedicated to helping the student hone conceptual and design skills, and to preparing a competitive, final portfolio. Additionally, students are encouraged to take advantage of an internship course for experience, and of advanced computer software and digital media classes.
At the end of the undergraduate program (whether in art direction or graphic design), our students should be able to successfully identify problems; develop strong, appropriate, conceptual strategies for specific target audiences; and implement, design and produce those concepts in a manner that effectively communicates to an intended audience.
Associate Professor Eric Ligon is the Undergraduate Program Coordinator for Communication Design.
The MFA program has been designed to teach graduate students who have accrued professional experience in communication design or a related discipline to “discover the power of ideas” by immersing them in learning situations wherein they actually have to invent methods that can potentially fuel the development of new processes, products and systems. What students learn during this experience will allow them to address the types of complex communications problems currently emerging in the world, and will prepare them to create or assume essential positions as leaders, collaborators, provocateurs, and empowered advocates for change within it.
The active approach to learning that informs this curriculum emphasizes real-world problem identification and problem solving supported by empathy-building, select types of reasoning and iterative thinking. Students who emerge from this Masters of Fine Arts program will be prepared to pursue successful careers as communication design strategists, managers and project-based collaborators in the corporate world, the non-profit sector, or in the arena of communication design education at the post-secondary school level. Graduates from this program who wish to pursue academic careers will emerge from it well-equipped to function effectively in the university environment, and will have identified areas of design research that will be necessary for their growth and the attainment of tenure at the university level.
The Master of Arts in Design with a Concentration in Innovation Studies exists to immerse graduate students who have not studied or practiced design in a series of learning experiences that will help them build and apply knowledge regarding design theories, methodologies and practices as a means to identify and test solutions for real-world social, technological, environmental and economic problems. This 36-credit hour program of study is unique to UNT, to graduate education in the state of Texas, and in this part of the U.S. The students who enroll in it represent a very diverse array of academic fields, professions and life experiences. Students will be challenged to work across disciplinary boundaries as they engage in design processes guided by select UNT CVAD Department of Design faculty. Some course projects within this curriculum may be taught all or in part by faculty from outside the CVAD Department of Design where knowledge or research interests complement or catalyze design processes.
Associate Professor Michael Gibson is the Graduate Program Coordinator for the MA and MFA programs with concentrations in Innovation Studies. Please contact him for more information about these programs at michael.gibson@unt.edu. You may also request information from us by e-mailing ComDes@unt.edu.
Karen Dorff is an adjunct professor in our Communication Design program with over 19 years design experience in both corporate and design studio environments. She’s taught for six years and holds a bachelor’s degree in fine art from the University of North Texas. Karen has won design awards in PRINT magazine, Neenah Paper Promotions, The Black Book AR100, Dallas IABC Bronze Quill, LACP Annual Report Competition, Dallas Society of Visual Communicators, Dallas Tops Awards competitions as well as CASE, The Council for the Advancement and Support of Education.
Bio to come
Michael R. Gibson teaches communication design studio courses, as well as design research, criticism, history, theory and interactive media. He has spoken at a variety of conferences within and outside the discipline, and his publications and professional projects reflect his interest in formulating and implementing processes that transcend boundaries. He has managed a strategic design consultancy since 1987, which has afforded him several opportunities to attempt to bridge the divide between the practical demands of professional practice and the need to account for how the results of designing affect and are affected by a broad spectrum of social, technological and political issues. His original and applied research projects have addressed issues in education, children’s and women’s health, media ethics and developing usable and useful user experiences in dynamic media applications. Professor Gibson earned his MFA in Graphic Design from the University of Michigan and his BFA in Design from the Kansas City Art Institute.
To browse through two websites that Professor Gibson has planned, design directed and designed or co-designed, please visit the following URLs:
Eric Ligon is the program coordinator for the communication design program, in which he teaches the full array of courses at both the undergraduate and graduate levels. (He especially loves the typography courses.) He is president and cofounder of BrailleInk., a non-profit organization that produces dual-use, braille and print children’s books that encourage sighted and blind individuals to share reading time. His design work on this format has been featured in People Magazine, the Lions Club International Magazine and a variety of local and national newspapers, radio and television news programs. Additionally, with his colleague Keith Owens, he redesigned the entire identity system for UNT, as well as the new identity system for the University of North Texas Dallas. Associate Professor Ligon earned his MFA in Communication Design from the University of North Texas and his BFA in Communication Design from Pratt Institute.
Keith Owens is an assistant professor in our award-winning Communication Design program. Articles by him addressing the need for increased design responsibility have appeared in the International Journal of the Humanities, Design Philosophy Papers, Design Philosophy Politics and Visual Communications Quarterly. Professor Owens has also taught at Texas Tech University and worked as a designer, design director and design firm owner in Houston, San Francisco and Dallas. Most recently as a design volunteer in Haiti, Owens has been engaged in socially focused design practice.
Professor Jack Sprague has been a member of the communication design/advertising faculty since 1990 and served as the program coordinator for 14 years until 2004. He teaches all levels of courses at both the undergraduate and graduate levels and specializes in the development of contemporary conceptual methodologies, process and research for advertising and design. He has a 30-year history bridging the theoretical methods of conceptual thinking with practical business application. As a practicing art director/designer he has worked in many aspects of the industry from branding, naming and design to advertising art direction for real estate, fashion, automotive, fine arts and manufacturing. As an educator Professor Sprague has earned national and international awards for his design and teaching and recently received the Golden Orchard Award, a national lifetime achievement award for design education. His work has been published in Graphis Best of Design, Communication Arts, Print and Archive Magazines. Professor Sprague earned his MS in Education and Design from Florida State University and his BA in Art/Design from the University of West Florida.
Michèle Wong Kung Fong recently graduated with a Master's in Graphic Design from North Carolina State University. In her research, Michèle investigates the intersection of design, technology and education. Her latest project addressed remote and synchronous peer-to-peer tutoring. She designed conditions for an interactive interface that supports the learning preferences of a middle-school concrete learner being mentored by a college student mentor. Michèle's interface builds on existing research in learning, cognition, activity theory and social networking as it sets up conditions for more meaningful learning. She was awarded second place for her poster presentation 'Online Interactive tools for remote mentoring' at the North Carolina State University's Third Annual Graduate Research Symposium which featured more than 150 university participants in five broad categories. Michèle intends to pursue her research in distance education and communication and has an interest in not only discourse about but actions towards the future of design education.
940-565-3621 | design@unt.edu