| The
Circus
Joan Miró Joan Miró, Spanish, 1893-1983
1937, Oil and tempera on Celotex, 59 5/8 x 47 7/8 inches
The Algur H. Meadows Collection, Meadows Museum, Southern
Methodist University, Dallas, Texas
About the Artist
In Spanish, the word miró means he saw. What an appropriate
name for an artist! Joan (zhoe-ahn) Miró was born April 20,
1893, in Barcelona, Spain, but he spent much of his youth
on the family farm at Montroig. Beginning in 1921 he lived
in Paris, but he frequently returned to visit Spain. Historians
tell us that when he went to Paris he took a handful of dried
grass from the farm at Montroig as a reminder of one of his
favorite places. While living in Paris he was a friend of
Pablo Picasso and was influenced by the major art movements
of the time, Fauvism, Cubism, Dadaism, and Surrealism, but
his unique style of painting makes categorization of his work
difficult.
Much of his work is playful and cheerful with many organic
forms dancing and floating. These shapes are sometimes accompanied
by geometric shapes, squares, circles, and triangles. During
his long and productive life, Miró produced ceramic pieces,
important murals, and etchings and lithographs, two types
of prints. In his eighties he began to experiment with the
techniques of stained glass. He died on December 25, 1983,
at the age of 90.
About the Art
Miró painted this work to raise his spirits at a time when
he was depressed about the Spanish Civil War. The cheerful
shapes and colors of The Circus communicate the joy and excitement
of being at a circus. The texture of the board on which Miró
made the painting can also remind us of that experience. This
painting is in Miró s unique and imaginative style, though
his work is sometimes associated with Dada or Surrealism.
Additional Information
The Circus is painted on a board that is not a traditional
material used in art works. Sometimes artists use unusual
materials to produce their works, and Miró has used a common
building material for this piece. The material is called Celotex
and was often used as an insulation material in buildings.
Celotex was made of compressed sugar cane fibers sometimes
with a binder of sizing or varnish. Because of the nature
of this material, the Meadows Museum of Southern Methodist
University has taken special precautions whenever shipping
the painting to another museum.
We call the special care that museums give to the works of
art in their collections conservation. Great care is taken
to be sure that artworks are not damaged in any way, because
the destruction of these important objects would be a great
loss to those who wish to see them preserved for future generations.
One of the dangers for the painting is the possibility that
the panel might crack. If the painting were to be dropped
or receive a severe blow, it might break apart, and because
of the nature of the material it could not be repaired. A
second area of concern is the flaking of the Celotex if it
rubs against the frame when the painting is moved. To avoid
either of these problems, experts have recommended that The
Circus be maintained at a constant temperature of 75 and a
relative humidity of 50% whenever the painting is transported.
The most critical concern is that the humidity and temperature
be constant since the board could expand or contract with
dramatic changes.
About the Time and Place
The Circus was painted in 1937 while Miró was still spending
much of his time in Paris. In 1940, he returned to Spain because
of the German invasion of Paris.
The late 1930s were very turbulent years in Europe. Aggression
by Germany, Italy, and Japan eventually led to World War II,
which lasted from 1939 until 1945.
The United States Congress and President Franklin D. Roosevelt
tried to keep the U.S. out of the conflict in Europe, and
in 1935 and 1936, Congress passed neutrality laws that prevented
the United States from selling arms to countries involved
in the war. President Roosevelt condemned Hitler's actions
but refused to join the alliance of anti-German countries.
On December 7, 1941, Japanese planes attacked Pearl Harbor,
an American naval base in Hawaii, and the next day President
Roosevelt asked Congress to declare war on Japan. Their declaration
was immediate, and three days later, Germany and Italy, Japan's
allies, declared war on the United States.
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