The Circus
Joan Miró
Joan Miró, Spanish, 1893-1983
1937, Oil and tempera on Celotex, 59 5/8 x 47 7/8 inches
The Algur H. Meadows Collection, Meadows Museum, Southern Methodist University, Dallas, Texas
About the Artist
In Spanish, the word miró means he saw. What an appropriate name
for an artist! Joan (zhoe-ahn) Miró was born April 20, 1893, in
Barcelona, Spain, but he spent much of his youth on the family
farm at Montroig. Beginning in 1921 he lived in Paris, but he
frequently returned to visit Spain. Historians tell us that when
he went to Paris he took a handful of dried grass from the farm at
Montroig as a reminder of one of his favorite places. While living
in Paris he was a friend of Pablo Picasso and was influenced by the
major art movements of the time, Fauvism, Cubism, Dadaism, and
Surrealism, but his unique style of painting makes categorization
of his work difficult.
Much of his work is playful and cheerful with many organic forms
dancing and floating. These shapes are sometimes accompanied by
geometric shapes, squares, circles, and triangles. During his long
and productive life, Miró produced ceramic pieces, important murals,
and etchings and lithographs, two types of prints. In his eighties
he began to experiment with the techniques of stained glass. He died
on December 25, 1983, at the age of 90.
About the Art
Miró painted this work to raise his spirits at a time when he was
depressed about the Spanish Civil War. The cheerful shapes and
colors of The Circus communicate the joy and excitement of being at
a circus. The texture of the board on which Miró made the painting
can also remind us of that experience. This painting is in Miró s
unique and imaginative style, though his work is sometimes associated
with Dada or Surrealism.
Additional Information
The Circus is painted on a board that is not a traditional material
used in art works. Sometimes artists use unusual materials to
produce their works, and Miró has used a common building material
for this piece. The material is called Celotex and was often used
as an insulation material in buildings. Celotex was made of
compressed sugar cane fibers sometimes with a binder of sizing or
varnish. Because of the nature of this material, the Meadows Museum
of Southern Methodist University has taken special precautions
whenever shipping the painting to another museum.
We call the special care that museums give to the works of art in
their collections conservation. Great care is taken to be sure that
artworks are not damaged in any way, because the destruction of
these important objects would be a great loss to those who wish to
see them preserved for future generations. One of the dangers for
the painting is the possibility that the panel might crack. If the
painting were to be dropped or receive a severe blow, it might
break apart, and because of the nature of the material it could not
be repaired. A second area of concern is the flaking of the Celotex
if it rubs against the frame when the painting is moved. To
avoid either of these problems, experts have recommended that The
Circus be maintained at a constant temperature of 75 and a relative
humidity of 50% whenever the painting is transported. The most
critical concern is that the humidity and temperature be constant
since the board could expand or contract with dramatic changes.
About the Time and Place
The Circus was painted in 1937 while Miró was still spending much
of his time in Paris. In 1940, he returned to Spain because of the
German invasion of Paris.
The late 1930s were very turbulent years in Europe. Aggression by
Germany, Italy, and Japan eventually led to World War II, which
lasted from 1939 until 1945.
The United States Congress and President Franklin D. Roosevelt
tried to keep the U.S. out of the conflict in Europe, and in 1935
and 1936, Congress passed neutrality laws that prevented the United
States from selling arms to countries involved in the war.
President Roosevelt condemned Hitler's actions but refused to join
the alliance of anti-German countries. On December 7, 1941,
Japanese planes attacked Pearl Harbor, an American naval base in
Hawaii, and the next day President Roosevelt asked Congress to
declare war on Japan. Their declaration was immediate, and three
days later, Germany and Italy, Japan's allies, declared war on the
United States.
|