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Art
Production
The Elements of Art
LINE: A line is the path of a moving point, a mark made
by a tool or instrument as it is drawn across a surface.

SHAPE: A shape is a two-dimensional area that is defined
in some way, perhaps with an outline or solid area of color.
Shapes may also be implied.

FORM: Forms are objects that have three dimensions:
length, width, and depth.
SPACE: Shapes and forms exist in space. On a flat surface,
artists can employ various means to imply the illusion of
three-dimensional space, such as modeling to show volume,
objects diminishing in size as they move to the background,
overlapping, showing more detail and brighter colors in the
foreground with duller colors and less detail in the distance.

TEXTURE: Texture refers to the way things feel or how
they look as if they would feel if you could touch the surface.

COLOR: Color is produced by light waves reflected from
objects to our eyes. Color is possibly the most expressive
element of art, but the most difficult to describe. Colors
appeal directly to our emotions and can stand for ideas and
feelings.

VALUE: The term value refers to relative lightness
or darkness, whether in color or in black and white.
The Principles of Design

RHYTHM AND MOVEMENT: The term rhythm as a principle
of design indicates the repetition of visual elements, such
as shapes, lines, or spaces. Visual rhythm creates the sensation
of movement as the viewer's eyes follow the "beats" through
a work of art.

BALANCE OR SYMMETRY: Balance is the principle of design
concerned with equalizing visual forces, or elements, in a
work of art. Visual balance causes you to feel that the elements
have been arranged appropriately.
PROPORTION: Proportion is the principle concerned with
the size relationship of one part to another.

VARIETY: Variety is concerned with difference. Too
much sameness might be dull. Artists add variety to their
work to make it more interesting.

EMPHASIS: This principle makes one part of a work dominant
over the other parts. An artist uses emphasis to focus the
viewer's attention on the most important areas of a work of
art.
UNITY: Unity allows the viewer to see a complex combination
as a complete whole. If all of the parts are joined together
in such a way that they appear to belong to a whole, the work
of art will be unified. |
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