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Take A Workshop.


Current Workshops

To sign up for any of the current workshops please visit the sign up page of this web site.

Polyester Plates

October 11

By Master Lithographer Veronica Ceci
Veronica Ceci This one day workshop is designed to give participants an introduction to Polyester Plate lithography. These plates do not require the traditional etching and processing of lithography, making them a less-toxic approach. Students can draw directly on the plates with a ball-point pen or Sharpie and go straight to printing with excellent results. These plates may be printed on both lithography and etching presses, making them especially versatile. The medium of lithography is ideal for artists who enjoy drawing.

Veronica Ceci is currently a Master Lithographer and Education Coordinator with Flatbed Press in Austin, TX. Her art has been featured at the A.I.R. gallery in New York's Chelsea Arts District and on the cover of Be Which magazine. Her work is represented by El Sl Studios in San Antonio, TX and The Monster Gallery in Brooklyn, NY.

Teethgrinder

Veronica Ceci

 


Screen printing

November 7–8

By Professor Emeritus Lynwood Kreneck
Lynwood Kreneck This water base screen printing workshop includes demonstrations of:

  • Printing multiple-color screen print stencils in register
  • Printing screen print mono prints
  • Installing and Exposing Direct Photo Emulsion stencils in the screen
  • How to put hand drawn images into the screen

There will also be hands-on screen printing by the students. Screens and squeegees will be provided. No prior experience in screen printing is necessary. Lynwood Kreneck's art is represented in over 55 museum and university collections.

Puppet Clown in the Radio Room

Lynwood Kreneck

This workshop is currently full.

Upcoming Workshops

Please check back soon to sign up for upcoming workshops.

Monotypes

February 27-28

By Professor Richard Ash
Richard Ash

“Trace and Stencil Monoprints”  The tracing part relies on drawing on paper which has been laid on as slab of rolled out ink and transferring the result to print paper on an etching press.  The result changes depending on what kind of paper you draw on and what you draw with.  This can be combined with stencils of Polyester or mylar to which ink has be applied, and printed with or in conjunction with the Trace image.  The process can be combined with other applications to make unique prints.  

Richard Ash is Professor of Art Harvey School of Visual Arts, Midwestern State Univeristy in Wichita Falls, TX. He was named Professor Emeritus 2007.

http://faculty.mwsu.edu/art/richard.ash/

Einstein

Richard Ash

Workshop Prices

Current UNT Student $75 | Alumni $100 | Senior Citizen $100 | Artist $120

Color Woodcuts

May 1-2

By Professor Nancy Palmeri
Nancy Palmeri This course will introduce students to single block color reduction woodcuts, with a focus on content and technique. Students will learn expressive carving techniques (with traditional and nontraditional tools), printing and inking applications. Special consideration will be given to the successful use of color applications (transparency, opacity, value and intensity) and simplified (working with one block) chiaroscuro printing techniques. The idea here is for students to recontextualize the history of this early printmaking technique in order to reflect their contemporary images.

Palmeri's prints are in various collections worldwide including the Fogg Art Museum at Harvard, Museo de Artes Contemporaneas Plaza of Bolivia, University of Colorado's Boulder Special Collection, The Royal Museum of Fine Art of Antwerp, and The Sheldon Memorial Art Gallery of Lincoln Nebraska.

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Nancy Palmeri

Workshop Prices

Current UNT Student $75 | Alumni $100 | Senior Citizen $100 | Artist $120